At the age of 40, most of the women rethink their lives and most of the dancers inevitably end their careers. They have experienced some injuries, pain and fractures that have left scars on the outside and inside.
Playing dates: 19 - 22 March 2020: Orangerie Theater im Volksgarten, Cologne 13 - 16 May 2020: Orangerie Theater im Volksgarten, Cologne
Surprised, unbelieving and incomprehensible, the Western world watches its own children leaving their homeland to go to war, which they call "jihad" and the Western world "terrorism". This war is directed against the values and principles of the societies they come from, against democracy and tolerance.
Dates: 27 - 30 November 2019, 20 h23 - 26 April 2020, 20 hStarting point Freihandelszone, Krefelderstr. 71, Colognethe project
After so many truths, mythological interjections and so little prospect for the future, the audience is tired but enthusiastic. ... There are follow-up performances and hopefully many invitations to other stages. This play is the most impressive one that could have been experienced this year. (Michael S. Zerban in on-ton.online 15.11.2018)
Dates: 9 November 2019: KuB, Bad Oldeslohe23 November 2019: Festival DIVE, Zeiss Planetarium, Bochum3 Dezember 2019, 20 h: Zeiss Planetarium, Bochum30 Januar 2020, 20 h: Zeiss Planetarium, Bochum
Bleikamp calls the evening "a theatrical requiem", which revolves loosely and easily, sometimes fluffy-humouristic sometimes philosophically profound around the very different music stars, who only have similarities in their meaning and size. The audience is also challenged: during karaoke to a Motörhead concert recording. Amy meanwhile serves earplugs or schnapps. Couple dance with Prince, Lemmy and Amy expects a few guys to a pretty good Bowie parody. All in all a nice anarchic evening, played by a great ensemble with lots of great memories of four grandiose artists. (Choises)
Dance theatre by Yui Kawaguchi with the percussionist Mohammad Reza Mortazavi and the dancer Joy Alpuerto Ritter
WEEDING IN PARADISE is an encounter and exchange between art places and people, artists and potential audiences. It offers events from different art styles - dance, virtual reality, theatre, art and professionally led workshops for music, creative cooking, video, etc. The final event is an orchestrated bus tour through country and arts of the region of Milower Land. The bus tour combines existing cultural sites with modern artistic exploration. Information: www.jaetenimparadies.de
Dates: 16 Juni 2019, 14 - 19 h: Exhibition and VA: Kunsthof Galm 24 August 2019, 18 h: THE INFLUENCER, Kunsthof Galm7 - 11 Oktober 2019 Creative Cooking Workshop for Kidsfollowing dates in 2020 following
WATCH OUT! tries to make the good visible, to make the nice perceptible and to bring the irritation into public space.With the means of art we want to enrich everyday life, by helping or just by creating a moment of pause.
Dates:Spontaniously, unexpected: CologneWHITE CUBE: 9 - 12 October: Festival URBÄNG!, Orangerie Theater im Volksgarten, Köln
DanceLight Performance by and with Yui Kawaguchi 5 years after the award-winning solo andropolaroid, the Japanese dancer and choreographer is developing a new perspective on the relationships between her own culture and the foreign culture.
Dates: 25 Oktober 2019: German Cultural Center, Brasov, RO
by Sergej Maingardt and Rosi UlrichTo determine if I am living in a simulation, I had to simulate myself. I decided to send a clone of myself on a journey. We both, the clone and I, decided to walk a little while together and write down everything we saw, then we separated and wrote down everything we experienced.
Dates:19 October 2019, in Ukranian language, Festival Kontraste, Philharmonie Lviv, Ukraine18. November 2019, 19.30 h, 20min excerpt in the context of the concert of electronic ID, St. Peter, Cologne
Movement does not have to remain silent, but may be emptied. While Anja Lais speaks the text, Jimenez acts at dizzying heights above the roofs of Raderthal. The audience is very close to the drama of this dialogue and the shivering body of the dancer. Only the glass is between us, who at every moment feel our role as voyeurs, and the fight behind the glass. This glass then also becomes a metaphor of powerlessness, like a fly which is stuck in a preserving glass, there will be no rescue for this woman. This is the abyss in every single life that Beckett so decisively measured. "Rockaby" presents itself as a strong production whose experience you take with you into everyday life. Thomas Linden, Choises 02/15)
"The 'ERSCHÖPFTE DEMOKRATIE' is not a frontal theatrical sprinkling, but rather a kind of participatory experience. ... while you are sitting and developing these ideas, you often think: Yes, why not? ... All this is such a radically positive evening. These utopias inspire, you notice that in the subsequent public discussion, where the ideas were passionately discussed." Michael Hölzen in: rbb Radioeins
The struggle for interpretive sovereignty knows many losers - especially those who try to maintain reality as a model. The artists, who are otherwise primarily active as fiction administrators, now see themselves as responsible for measuring the map of truth in a new way. Instead of lamenting the recently unrealistic reality, theater-51grad dares to creat a creative brainstorm and questions the ability of unbiased perception. (Robert Cherkowski, Choices 11/17)
™1.6]DELTAx_PHYSICS / ™2.6]Paralyzed_PSYCHOLOGY / ™3.6]HypeReal_PHOTOGRAPHY / ™4.6]AND:OR:NOT_FUZZY LOGIC / ™5.6]Smart Factory_ECONOMY / ™6.6]Sovereign Blurriness_POLITICS / and all 6 parts as theatrical VR installation