the victory against the death

VICTIM OF THE PANDEMIC SITUATION: 25 (PR) - 28 February / 10 - 13 March 2021, instead:
ON AIR: 11. March 22 h, Radio, VIRTUAL BRAIN - The Ossuarium of the Future from Charlotte Luise Fechner - a radio play
ON STREAM: from 20. March 20 h,, VIRTUAL BRAIN - The Skin (Götz Leineweber) & The Ossuarium of the Future (Charlotte Luise Fechner) - the Film
ON WEB: from 6. March,  Podcast:
contact: info [at]

18 - 21 November 2021

Orangerie Theater Cologne, Tickets: info[at]

We are standing at the crossroads of a new step in evolution. It promises to finally realize the dream of overcoming death and become immortal. New scientific findings and technologies, such as intelligent prostheses and brain-computer interfaces, are paving the way for this. But what will it look like? As a posthuman state of a virtual world in conserved brains or a human-machine symbiosis, as James Lovelock describes it in "Novocene"?

Self-optimization has become a lifestyle. Intelligent prostheses and brain-computer interfaces promise new forms of human life, represented by transhumanism, among others. But what does man expect from this self-optimization, where is the limit to manipulation, and what is the inherent in "I"? When is the human being human? Whereas in the past we equated immortality with eternal life, today it seems to be a spare parts store of physical and information-processing components. Non-functioning components are replaced, and a "?...?" is created.

In view of the vulnerability of human beings, this topic is of outstanding importance. The two perspectives - optimization of the body and abstract-mental brain-computer-world - are juxtaposed. The two authors Charlotte Luise Fechner and Götz Leineweber each write one part. Space-filling visualizations at the interface of "virtual-abstract" and "real" world and the emotional guidance through sensitive sound spaces and surround mixing by Sibin Vassilev create new spaces.

with: Asta Nechajute, Miriam Meissner, Anna Möbus, Marc Fischer, Torsten-Peter Schnick, Thomas Krutmann

Texts: Charlotte Luise Fechner (The Ossuarium of the Future), Götz Leineweber (The Skin) | Director: Andrea Bleikamp | Dramaturgy: Rosi Ulrich | Costums: Paula Noller | Music/Sounddesign: Sibin Vassilev | Video: Jens Standke | Lighting Design: Jan Wiesbrock | Technics: Jan Kutscher | Audio Engineering: Tobias Zimmermann | Assistant Director: Gina Bensch | PR & Public Relations: neurohr & andrä


Produced by WEHR51, in cooperation with Freihandelszone - ensemblenetzwerk köln, Orangerie Theater Cologne
supported by: Kunststiftung NRW, Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media in the frame of AUTONOM, Kulturamt der Stadt Köln, Ministerium für Kultur und Wissenschaft des Landes Nordrhein-Westfalen, NRW Landesbüro Freie Darstellende Künste.